The Screenplay winners and runners-up receive: Runners-up (4, at least one in each category): December 15th, 2023 Circulation to select production and management companies for first look expanded circulation afterward.$2,500 to the winner of each genre category (Action & Sci-Fi, Comedy, Drama, Horror & Thriller) One winner and one runner-up are selected for each category. The First Look Project focuses primarily on connecting the winners with production and management companies. Invitations to private events and Symposium panels hosted by Pipeline.Additional script reviews and consideration of other material for industry exposure.Development assistance from Script Pipeline's execs on both the screenplay and pitch.Long-term facilitation to Script Pipeline's industry network of producers, agents, and managers seeking features.$15,000 awarded to winners ( $2,500 in each genre category).The First Look Project selects six winners, with at least one runner-up in each category, who receive the following: Arnold (First Look Project) landed at Bellevue over the past couple seasons, many others have signed at UTA, Kaplan/Perrone, Alibi Management, and more after Script Pipeline introductions. While winners Daniel Jackson (Screenwriting), Elad Ziv (First Look Project), and Brian T. Several Pipeline writers have made The Black List, with Cauliflower by Daniel Jackson (2021) and Pure by Catherine Schetina (2022), both landing at the #1 spot. And Helen Gaughran's winning script Visitation began production in 2023, starring Olivia Cooke ( House of the Dragon) and Isla Johnston ( The Queen’s Gambit). Pipeline Screenwriting finalist Bring Me Back by Crosby Selander sold to Legendary for seven figures-one of the biggest spec sales in years. Over $8 million in screenplays and pilots have been sold by Script Pipeline writers as well as numerous scripts produced since 1999, such as studio releases Stuber by Tripper Clancy and Snow White and the Huntsman by Evan Daugherty. (signed with Bellevue, #2 on the 2022 Black List) I love the First Look competition because it leans into the collaborative process that is storytelling … No other contest will ever match up to them." They saw something in Court 17 and collaborated with me to make sure we were maximizing its potential. "I am in awe of this incredible honor-which would not be possible without the help of the Script Pipeline team. Finalists and winners receive extensive development post-contest prior to industry circulation. In other words, for this particular contest, your script could be a little rough around the edges and still have a good chance to win, if we feel the story itself could stand out in the current landscape.
#TV PILOT SCRIPT LENGTH TV#
Unlike Script Pipeline's Screenwriting and TV writing competitions, entries for First Look are judged on both writing ability and commercial potential, in addition to the originality of the concept.
Supported by Bellevue Productions ( Infinite), Divide/Conquer (M3GAN), QC Entertainment ( Get Out, Us), Destro Films ( Clerks III), and additional Script Pipeline partners, the competition introduces the winners and runners-up to these and other companies. A minimum of one runner-up is also chosen for each category. One winner in each division receives a share of $15,000, industry circulation, and long-term development assistance from Script Pipeline’s executive team. TV Pilot - Hour and Half-hour original pilots, any genre.Screenplay - Action & Sci-fi, Comedy, Drama, and Horror & Thriller.
The 12th Annual First Look Project searches for higher-concept material across multiple categories:
#TV PILOT SCRIPT LENGTH SOFTWARE#
While there can be slight variations for different types of scripts (ie multicam sitcom teleplays), screenplays follow strict formatting rules.įortunately, software like Highland, will do the heavy lifting for you.
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